March 29, 2010

Yacht/Small Black/Washed Out @ Echoplex










Our weekly "Ok, this is why I hate kids like you" award goes to the incomparably sexy photo-journalistic duo of Mich and Stac, who pulled off a whopping feat of weasel-ometry this past Friday. As you can probably guess from the "Holy Hefner, we have ass shots!" above, somebody in the ihkly inner circle was backstage on Friday night. What you probably didn't realize is that the authors of these photographs are muthafuckin' hustlaz. So in honor of their grifting ways, let's play everyone's favorite parlor game, how to go from being ticketless to hanging out backstage with Small Black and Yacht in three simple steps.

Step 1: Using your dashing looks and feminine wiles, convince some asshole (ahem, yours truly) to email you his digital tickets.

Step 2: Cry poverty to the ticket-taker (I don't have a printer, my blackberry doesn't zoom, I'm being deported to a Northern European country and this is my parting wish, or my personal favorite, I'm fostering the move towards a paperless society). As a result of these hopefully tearful statements, the benevolent ticket ripper will take pity on you and let you right inside without scanning the bar code on your digital tickets. Subsequently, your second set of accomplices use the bonafide tickets to enter and voilà, 4 people inside for the price of 2. Btw I'm a lawyer and can assure you that the manuever described above is 100% legal.

Step 3: While grabbing a drink at the bar, make moon eyes at the guitarist from the opening band. When he asks to buy you a drink...say something totally charming like, "I bet this drink would taste better from backstage" or "Your set was amazing. Hey, I've never seen Jona Bechtolt or Claire Evans's asses up close before...are their buttoxes as taut as I've imagined?" The clearly brilliant guitarist will realize you want to go backstage and he'll escort you to take your rightful spot behind the golden groupie curtain...

-Matt

P.S. Yacht is amazing live...even if their album is not your cup of tea, I totally recommend catching their exuberant set in person. Washed Out and Small Black, too.

Photography Courtesy of MvB w/ assistance from Staci O.

I Hate Your Weekly Playlist (v.9)

The National - Bloodbuzz Ohio
Dum Dum Girls - Jail La La
Mumford and Sons - Little Lion Man
Abe Vigoda - Endless Sleeper
The Radio Dept. - Heaven's On Fire
Twin Sister - All Around and Away We Go
Ramona Falls - Melectric
Micachu and the Shapes - Golden Phone
The Coast - Ceremony Guns
Gorillaz - Empire Ants
Kisses - Bermuda
Male Bonding - Year's Not Long

March 26, 2010

MGMT - Congratulations

“Congratulations,” MGMT, you’ve spoiled your chance at continued stardom and given us a shit sophomore album. Spin gave it 4 stars, and I’m sure Pitchfork is just trying to craft synonyms for “ground-breaking” and see if it’s mathematically possible to give it 11 out of 10.  But here’s what we (Nate & Matt) think:

Overall:
N: Why couldn’t you just give me 10 knock-off tracks of “Kids,” “Electric Feel,” or “Time to Pretend.” I’m convinced MGMT has spent the last 3 years getting insanely high and then someone finally forced them to put out a new album, so in their haze, threw on a hemp smock and shit out “Congratulations.” It must have been a difficult dump, since they were barely able to squeeze out 9 songs. This might as well be an entirely different band.
M: Sounds like Ringo Starr if he composed an album with a disgruntled, autistic Carnie named Floop. No dance tunes, no catchy choruses, nothing even remotely resembling the formula that endeared us to MGMT. Worse yet, do they really expect us to watch this trash live at Coachella? Hi, we’re MGMT; we’d like to headline the Gobi Tent at 10:30 in the morning. We brought a bearded lady?

Cover Art:
N: This “hang loose even though I’m being eaten by a wave creature” T&C Surf Design rip-off is a perfect portrayal of the record: Psychedelic hippie surf rock that makes you want to die.
M: Courtesy of Nintendo’s Unreleased 1986 offering, “Mario Acid Kart”

Track by Track Reaction:

1. It’s Working:
M: Also known by my preferred title, “It’s not working.”
N: Rushed-hippie-Beach-Boys-James-Bond theme.  Is that a harpsichord?

2. Song for Dan Treacy:
M: Hey remember that movie, Dick Tracy? I’m pretty sure Pruneface ended up that way because he was exposed to too many circus organs.
N: This feels like the ghost level of Mario Brothers when time is running out.

3. Someone’s Missing:
M: Despite myself, I actually like the last 30 seconds. Just a shame it’s appended to a minute plus of Flock of Seagulls doing a Gregorian chant.
N: Hippies smoking the reverb

4. Flash Delirium:
M: So many disparate passages, each worse than the last. It’s like a hipster version of the Vagina Monologues.
N: A terrible excuse for a dance song.  Just because you snuck deep sawtooth bass into a song doesn’t mean you’re MGMT anymore.

5. I Found A Whistle:
M: Feel like I’m chaperoning MGMT through an E-trip at a rave. Please, MGMT, you don’t know where that’s been, do not put that whistle in your mouth…
N: A ballad about losing and subsequently finding a whistle; Deep.

6. Siberian Breaks:
M: Quick, everyone grab your beads and start manscaping...Peter, Paul, and Mary are playing a pop-up show at Tower Records.
N: MGMT Hot Tub Time Machines themselves into Peter, Paul & Mary

7. Brian Eno:
M: “Beetlejuice, Beetlejuice, Beetlejuice.” Hmmm… “Brian Eno, Brian Eno, Brian Eno.” “Nope, doesn’t work, dude. He’s still not here.”
N: Sounds like 7th graders making a rock song for the first time; saying “Brian Eno” 50 times in 3 minutes certainly isn’t making this song any better.

8. Lady Dada’s Nightmare:
M: Guess what? No one cares about instrumental tracks or someone else’s dreams, but good job of saddling us with both.
N: An orchestral instrumental track that is supposed to make us think of Lady Gaga’s Nightmares.  I don’t get it.

9. Congratulations:
M: Otherwise known as “The Sandra Bullock.” Here’s your Oscar and your husband’s eleven mistresses. Here’s your MGMT record and your whip cream shit pie. Congratulations. Enjoy.
N: If you actually make it this far down the record you get the title track, “Congratulations.” Yes, Congratulations, you made it through 9 tracks of the biggest disappointment of the year.  Your prize? A steel-drum solo at the end of the album!

Grade: G - 

Stream MGMT’s new album “Congratulations” here: http://www.whoismgmt.com/ or don’t, because it’s fucking terrible.

March 25, 2010

Gorillaz - Plastic Beach


I’m never sure what to expect with Gorillaz.  This record had crazy hype the past few months: 13 videos teasers of plastic islands and pirates and the "Stylo" music video (rad animation and Bruce Willis shooting things).  In the end, Gorillaz produced a solid album.  It’s amazing how many musical styles they combine, seamlessly integrating organic instruments with digital instrumentation, all while maintaining that unique Gorillaz sound.  I actually can’t think of an instrument they didn’t use in this record.  (No, Austrailia and urban hippies, I refuse to consider the didgeridoo an actual instrument). This record is very much a pop record; however, it sometimes gets stuck in motion – no major highs, just constant grooves. My favorite song (and most dynamic of the album), “Empire Ants,” starts off slow and crescendos nicely into a poppy beat and hook by Little Dragon you never want to end. Half the lyrics in “Welcome To the World of the Plastic Beach” are “blah blah blah blah blah blah,” and somehow they make it sound cool and like they didn’t just get lazy and uninspired (which is probably what actually happened).

Plastic Beach creates feelings of wonder, loneliness, rage, boredom and self-expression – uninhibited by the outside world.  Like any Gorillaz record, the production is perfect and the music feels brand new.  No song will make you dance (except maybe “Glitter Freeze”), but you won’t be able to stop bobbing your head. My only complaint is that it never really takes off or climaxes, it just kind of floats along and never dies (16 tracks long)…kind of like plastic.

Grade: A-

Best Tracks: “Empire Ants,” “Glitter Freeze,” “Rhinestone Eyes,” & “White Flag.”

Love Child of: Robotic Philharmonic, Samwell's “what what in the butt”, cartoon grooves, and Cherry Coke mixed with Crystal Pepsi.

Best Paired With: Epic animation while headlining at Coachella (I hope).

- Nate

ihatekidslikeyou collective rating: 3.5 out of 5 violin-playing alien robots.






Stream the ENTIRE record Here!!!!:


Watch the "Stylo" music video:
http://www.youtube.com/watch?v=h9vAOzYz-Qs

Jonsi Radio Session with Ukulele and MGMT cover


Radio Session:


MGMT Cover:


March 24, 2010

SXSW 2010: Final Recap


It’s 5 AM Sunday Morning and the security line at Austin’s Bergstrom International Airport stretches the length of a city block. Yet beyond its sheer inconvenience, the density of the line at this seemingly “off-hour” reveals a harsh truth that we all learned at this year’s SXSW: As much as we believe to the contrary, we are not unique and beautiful snowflakes. In the age of instant information, there are no unheard of bands, secret shows, or exclusive parties. We are all competing for the same scarce resources. In other words, space is limited on the cool train; be prepared to wait on queue.

Beyond that, the following is a quick overview of what I saw, contemplated, overhead, and consumed during the final three days of the festival.

Top 5 Shows:

1. Local Natives @ the Brooklyn Vegan/M for Montreal Party

2. The Middle East @ the Day Stage Café

3. Mayer Hawthorne @ the Converse Party/Levi’s Fader Fort

4. Toro Y Moi @ the Vice Party

5. The XX @ the Village Voice Party

Honorable Mention: Broken Social Scene @ Stubb’s (Bringing Emily Haines out to sing “Anthems for a Seventeen Year Old Girl” almost sent me into a state of anaphylactic shock); Miike Snow @ Galaxy Room Backyard.

Top 5 Bands I Wish I Saw:

1. Broken Bells

2. The Antlers

3. Class Actress

4. The Sandwitches

5. Savoir Adore

Best Random Celeb Sightings:

1. Bill Murray waiting in line to see Delorean- Not only did the girl running the door asked to be photographed with him, but after he was gracious enough to oblige, she left him waiting in line.

2. Dakota Fanning @ the Filter party featuring Uffie and Miike Snow- We literally polled 7 to 10 people before coming to the consensus that yes… Dakota Fanning was in the house and no… she has not yet reached the age of 18.

3. Mischa Barton getting out of a Pedicab- Hard to believe, but the bicycle carriage is actually a viable form of transportation in Downtown Austin. Bonus hilarity points for Mischa disembarking from one while being wrapped in a blanket by the driver and two other royal subjects. Bill Murray should take heed.

Strangest Running Subplot:

The posi-rock, “Is this a Tony Robbins Seminar?” between songs banter of lead singers. Kevin Drew of BSS literally forced the crowd at Stubb’s to chant, “I can be anything I want to be,” before launching into the encore finale, “Major Label Debut (Fast).”

Similar sentiments were echoed by the Damian Abraham of Fucked Up, who in between disrobing and revealing a torso in dire need of the soon-to-be-invented, sit-up powered electrolysis machine, mused that “talent is overrated. If you want to be in a band, just do it. You can’t be worse than we are.” For Abraham, self-deprecation comes at no extra charge.

Best Random Moment:

On Friday night, amid the scores of venues filled artists showcasing their talents, we walked past an open door which peered into a dimly lit stairwell. On the stairwell, stood a lone, bearded man strumming on an acoustic guitar and singing into the Austin night for an apparent audience of no one. Here’s hoping that next year the stairwell becomes an official SXSW venue.

Most Fucked Up Graffiti (Warning: Highly Offensive):

I walked into a port-a-pottie on Friday and in apparent honor of the passage of Health Care Reform, some sincere racist had scrawled a message over the opening. With an arrow pointed downward towards the chasm, the message read, “Free Obama Dolls Below.”

(Please note: I only repeat the above message to bring light to the political and social climate in Austin and not to give whomever wrote the message an alternate platform to voice his sentiment).

Girls will Be Girls (i.e. The "Fucking Bonkers” Award for the “Crazies” I Encountered Along the Way):

Grand Prize: To the girl who told me I had pretty eyes and then proceeded to “seductively” dance hump a beach ball for the 15 minutes that followed. If only I had the footage a cameraman surreptitiously videotaped at my behest.

1st Runner Up: To the under 5 foot “chode” that grabbed me by the arm and then attempted to mount me and attack my face with her halitosis lips of death. When she asked me, “Where’s your girlfriend?” I immediately countered, “She’s coming...” But she remained undeterred, “ Until she comes, try something new.” Somehow, I resisted the urge to say, “How about parasailing?” and pushed her away.

Final Thought (SXSW/Coachella Comparison):

SXSW is Coachella if:

1. Every stage had a line and required a VIP Bracelet;

2. The temperature fluctuated upwards of 40 degrees during your stay (It was fucking 35 degrees on Saturday in Austin);

3. Every band did their sound checks in your presence; and

4. The grassy field non-chalance was transformed into the lecherous bedlam of Bourbon Street.

Complete List of Sets Attended:

The Soft Pack, Miike Snow (x2), The Morning Benders, Fucked Up, Twank Star, Mayer Hawthorne, Broken Social Scene, Minus the Bear, The Pains of Being Pure at Heart, The XX, Frightened Rabbit, Yacht, Sleigh Bells, Glass Candy, Jonna Lee, Basia Bulat, Delorean, Lissie (x2), The Middle East, Mariachi El Bronx, Fitz and the Tantrums, Free Energy, Dawes, Local Natives, The Very Best, Major Lazer, She & Him, Electric Electric, Uffie, Toro Y Moi.

- Matt (signing off from SXSW 2010)

March 23, 2010

March 22, 2010

I Hate Your Weekly Playlist (v.8)

Twin Sister - Nectarine
Local Natives - Shape Shifter
Fang Island - Daisy
The Morning Benders - Cold War (Nice Clean Fight)
Le Loup - We Are Gods! We Are Wolves!
Frightened Rabbit - The Wrestle
MillionYoung - Hammock
Delorean - Seasun
Jonna Lee - The Light
Avi Buffalo - What's In It For?
Mayer Hawthorne - Just Ain't Gonna Work Out
Drink Up Buttercup - Young Ladies

March 18, 2010

Night #1: Scottish Night on St. Patty's Day




Day One Shout-Outs:

• God Bless the lady at Hertz that asked me if I was in Vampire Weekend. Thanks for making me realize I have Upper Crust Ivy Leaguer written all over me...with that in mind:

• The "God You're Dumb" Award goes to the guy standing in line behind me at Frightened Rabbit, who pledged no less than 6 times that he originated the concept of making music videos "about social commentary." Sorry buddy, but unless you're offering a post-modernistic meta-commentary on social commentary, the only preposition that can precede social commentary is "with." But you obviously knew that already.

•The "We Wear Kilts and We Refuse to be Overshadowed" Award goes to Scotland, who decided to counter-program with "Scottish Night" on St. Patrick's Day. Of the 3 headlining bands, We Were Promised Jetpacks, Frightened Rabbit, and Hudson Mohawke, I caught Frightened Rabbit, whose self-deprecating banter in between songs was at least as entertaining as the songs themselves. After a tepid version of "The Modern Leper," I left so as not to miss Miike Snow, the undisputed highlight of the night.

•Before Miike Snow went on (and it was a while, considering they took 45 minutes to set up their instruments), I saw Fitz and the Tantrums (depicted above) or as I like to call them, "Cameron and the Ferris Bueller All-Stars." They were pretty good...if you like wedding bands, entertaining at a Kardashian's 4th Marriage to a Pro Roller Hockey Prospect. That is to say, if you're coming to SXSW to play songs that I'm at least 90 percent sure are covers, please stay at home and let someone else book your prime real estate downtown hotel room (more about this later).

•On the other hand, Miike Snow has to be comprised of the strangest assortment of band members you'll ever find...here's a rundown...

1. Van Gogh as an an orthodox Jew, 2. Taylor Hanson meets Jared Leto, 3. Eurotrash Edge from U2 (wait, that was redundant), 4. Hipster Buddy Holly meets Revenge of the Nerds, 5. Captain Recessive Genes from The Deadliest Catch 6. Firecrotch Phillip Seymour Hoffman, and finally, 7. Vincent Gallo meets Russell Brand.

• As they came to the stage all bedecked in shiny black vinyl shirts, my friends and I played the enthralling game of "guess the frontman." I threw my lot in with Firecrotch Phillip Seymour Hoffman (just because I decided that the patented Snow falsetto would undoubtedly be the funniest coming out of his mouth), but alas, I was wrong, it was Vincent Gallo meets Russell Brand for the win.

•Musically everything sounded album quality if not better, with the notable exception of Gallo's voice which dipped in and out depending on his comfort level. For instance on "Burial," he fully committed to his rich falsetto, but on "Black and Blue" he chanted in a deep monotone akin to a barmitzvah boy trying to prove he's gone through puberty.

•Notwithstanding these shortcomings, the finale "Animal" was probably the most unreal concert experience I've had in a while. Everyone sang, danced, and headbanged through a hair-raising climax that showcased the unparallelled allure of collective group energy. In a word, FILTHY...

•With that, the night ended and denizens of music-dom all fled into the beguiling 6th Street night to search for the Will of the Wisp or an elusive cab...It took me two hours and a call to my hotel to find one (lesson learned: you must stay downtown), but over the course of the experience, I came to realize that the group bonding is two fold...it's not only reveling in the climax of "Animal," but also writhing in the communal pangs of where to go once the party ends...

-Matt from SXSW


March 17, 2010

First SXSW Dilemma

Why you hate kids like me reason #35...sitting at LAX, wearing a vampire weekend t-shirt, rifling through my printed, personalized sxsw schedule, highlighting the bands I plan on seeing over the course of the next 4 days. Yeah, that's right, say it with a fluorescent fucking yell, HIGHLIGHTING!!!

Anyway, straight from the embarrassment of riches dept, here is the list of bands that are playing simultaneously Thursday Night/Friday morning at 1 AM.

Broken Social Scene
Bear in Heaven
Toro Y Moi
The XX
Phantogram
Holy Ghost

Before you get too jealous, I can only see one. Gonna be a last minute decision...keep you posted

Boarding now...next post from the rental jalopy, a chevy aveo or something similar. Until then...

P.S. I've seen more hipster glasses on this flight than I've ever seen in my life.


- Matt from SXSW

March 15, 2010

Attn:

This week is crazy for us and one half of the crew will be headed to SXSW on Wednesday, so stay tuned for updates throughout the week.

- i hate kids like you. 

I Hate Your Weekly Playlist (v.7)

Sons & Daughters - Chains
Lissy Trullie - Boy Boy
Foals - Spanish Sahara
Marching Band - For Your Love
Foreign Born - Lion's Share
Princeton - Eminent Victorians
Plushgun - Dancing in a Minefield
Acid House Kings - This Heart is a Stone
Bear in Heaven - You Do You
Patrick Watson - Tracey's Waters
The Daysleepers - Megatron Supernova
Fenech-Soler - The Cult of Romance (Alan Braxe Remix)

March 12, 2010

Broken Bells: Broken Bells


Thanks to my local pirate friend, Jason, and his team of music swashbucklers, I’ve had this record for 3 months now. (You’re correct to assume that amassed me 55 “oh, you don’t have it yet?” indie-snob-points).  That said, I’ve been patiently waiting to review this record closer to the release date as to not alert any red flags.  Then came yesterday when I was maxing out my Starbucks xmas gift card and I saw it being sold at the register.  I wanted to spit out my coffee (ok, mocha) not only from the burnt taste, but also from the fact that I didn’t know whether Starbucks got cool or if Broken Bells is more commercial than I thought it was.  I will leave this question unanswered for fear of tearing my world apart.  (-5 indie-snob-points for drinking at Starbucks; +5 indie-snob-points for saying you’re from Seattle and feel a local affinity for it, so it’s ok for me, but not you.).

Ok, the record.  It’s fantastic.  When I first heard about the collaboration of James Mercer (The Shins) and Danger Mouse (Producer phenom) I expected a quirky trip hop or really strong bass-heavy digital sound.  Instead, we get a 1970s-Shinsy-funk-hippie-digital-spacey-vibe. Many songs remind me of Gorillaz, but most sound like a forward-thinking Shins record.  Perhaps my expectations jaded me for a while, because it took me almost 2 months to really enjoy the whole record.  But I honestly enjoy every song now.  It is a perfect marriage of Mercer and Danger Mouse, however, it may come at the cost of a divorce with The Shins as Mercer recently announced that he’s taking a break from The Shins until “at least 2011.”  While that saddens me to no end, I can't wait to hear more from Broken Bells.

Grade: A

Best Tracks: “The High Road,” “Vaporize,” “Sailing to Nowhere,” and “Citizen” (and “October” and “The Ghost Inside”) – stop making me chooooooose!

Love Child of: The Shins, Gorillaz, psychedelic mushrooms, Back To The Future, fake hippies, and pink cotton candy.

Best Paired With: A hipster house party and/or driving to said hipster house party.

- Nate

ihatekidslikeyou collective rating: 4 out of 5 Space Campers
Watch an interview with Broken Bells here:


Also watch the music video to "The High Road" here:

March 11, 2010

La Stampa: Pictures Never Stop


Last Sunday, I played golf with a 60’s Rock luminary, Doors’ guitarist, Robby Krieger.  During the round, the conversation invariably turned to music and I casually asked him what he listens to these days.  Yet, instead of answering the question, Krieger launched into an invective bemoaning the current state of the music industry. “Rock isn’t what it used to be,” he decried.

Krieger's attitude illuminates the unerring truth that being a “visionary” isn’t necessarily a permanent title.  Even members of the most innovative bands are not futurists; sadly at some point, they become guardians of their own time-capsuled pasts.

I raise this anecdote, because Germany’s La Stampa’s, Pictures Never Stop, immediately aligns itself with Krieger’s era and milieu.  The sensational opener,  “Information Man,” paints a portrait of 1964 Californ-i-a and eminent pop artist, Ed Ruscha, documenting “gas station, swimming pools and every house on the Sunset Strip.” Along these lines, the album’s title seems to be derived from the curious nature of such still photography.  A photo is static snapshot of a particular moment, but through the accumulation of these fixed scenes, we receive a glimpse into time’s irrevocable march forward.

Accordingly, La Stampa embraces a similar orientation; they gaze at the past, while finding ways to escape the dreaded title of  "revisionist." Their angular guitars and staccato bass lines conjure the New Wave flair Franz Ferdinand or Interpol, without being completely derivative.  And while much of the album wades in the dark tones of dystopia (i.e. typical Kraut rock), when their pop sensibilities emerge, the effect is intoxicating.  Indeed, for La Stampa, the future is bright.

Grade: B

Best Tracks: “Information Man,” “Jealousy,” “Für Den Moment,”  “Lady Gets Around (which sounds like Arctic Monkeys if put through an "aryan-ization" machine).

Love Child Of: Franz Ferdinand; The Muhammad drawings (La Stampa takes its name from the Italian newspaper that published these controversial cartoons); Kraftwerk; Ed Roooo-shayyyy; Kraut-like severity; a little “gynthesizer” (synthesizer in english; could a word be any more German and fabulous? C’mon, say it out loud. Have some fun with it!)

Best Enjoyed While: Telling Robby K. to “fuck off” because rock music is stronger than ever.

-Matt

I hate kids like you. collective rating: 3 out of 5 Ruscha “fill” stations

Check out La Stampa (at their most Franz Ferdinandian) in the awkward (intentionally so?) video below:

March 10, 2010

Ryan Bingham: Roadhouse Sun


Guest Review By Joe

After leaving home at 17, this ditch-digging, bull-rider turned Texas roadhouse rocker was flying below most people’s radar before last week… but Sunday that changed. Now he has an Academy Award.  Bingham collaborated with the brilliant T-Bone Burnett in penning “The Weary Kind”, providing the theme for Crazy Heart and picking up a golden man for “Best Original Song”.  

Much like Jeff Bridges character Bad Blake, Bingham knows what it’s like to put in a full day’s drive to play a gig at a bowling alley.  For years, he and his band lived out of the back of a Suburban while traipsing across the vast barren Southwest for shows.  But the sum of his hard-life experience is audible grit as authentic as a bull-rider’s calloused hand.   And even though he’s only 28, the gravel in his throat makes you believe the line, “I’ve spent my time with the whiskey.” (I’d hit the bottle too, if I had to dig ditches in the Texas sun just to get by). 

His recent sophomore release, 2009’s Roadhouse Sun, is filled with blue-collar anthems, weary laments, and politically charged punches.  “Hey Hey Hurray” is crammed with enough populism to fill a front page. “Hey hey what can you say/the big man spends your hard earned pay/Yellow brick roads have turned to clay/choking blue collars to a dollar a day”.  Bingham’s guitar is heavier on the distortion and is backed by fewer banjo, mandolin, and slide riffs than on his debut Mescalito.  While it still makes you want to stomp your foot, Roadhouse feels more like it was born in the studio with the debut effort born on the stage of a roadhouse. 

Grade: B- 

Best Tracks: “Day is Done,” “Bluebird,” and “Hey Hey Hurray”  

Love Child of: Steve Earle, CCR, the sweat off your brow, whiskey and cigarettes, highway dust 

Best Listened to When: Driving the stretch of highway from El Paso to San Antonio; at a backyard BBQ with red-checkered tabletops; turning over glasses of whiskey; or punching the clock after hard day’s work 

Rating: 3 out of 5 dusty old Fords

- Joe 

Watch a live performance of Bingham performing the theme from Crazy Heart, "The Weary Kind."

March 09, 2010

Frame The City: We Were Wolves EP


Guest Review By Frank Gatto

When last we heard from Nate Moceri’s Frame the City, the “band’s” sound was decidedly conflicted between synth-based revelry and acoustic, introspective balladry – his very own Terminator.  With his latest release, “We Were Wolves”, Moceri has amputated his humanity in favor of a Siberian kiss.  The EP opens with a bossy beat offset by a playful melody that goes by the title “Headlines for White Lines”.  The song is a discourse in blur, where Moceri’s vocals are confused with female harmonies, and the verses are indistinct from a chorus of questionable existence.  The title track is a droning ensemble of Album Leaf beats, wistful vocals, and emotion masked by gadgetry.  These two introverted tracks are the perfect set-up for the album’s catchiest cut, “I Could Go On and On”.  Weighing in at 3:30, the song features an ostensibly restless backbeat that conjures up faint memories of Robert Smith and his progeny of malcontents.  The track is followed by what could very well have been the emotional apex of “We Were Wolves”.  “Wearing Jeans to Bed” is the high water mark of Moceri’s songwriting and lyrical ability.  Unfortunately Moceri’s undying affinity for digital processing creates distance between the song and emotional expression.  It’s like saying “I love you” with your mouth but not your eyes.  The mini album closes with a brooding cut aptly referred to as “Whisper in Winter”, where an apocalyptic bass line reinforces Moceri’s desire to crush the listener with reverb.  Make no mistake, “We Were Wolves” is a competent display of songwriting and composition.  Unfortunately, the wizard is fully concealed behind the curtain this time, leaving the listener hopelessly lost in Oz. 

Rating: 3.5 out of 5 heartbreaks

Best tracks: “Wearing Jeans to Bed”; “I Could Go On and On”

The Spawn Of: the Postal Service, T-1000, the Rentals, not Owl City

Best Paired With: Live Journal; driving during precipitation; driving at night no matter the weather

By: Frank Gatto

ihatekidslikeyou collective rating: 3.5 out of 5 unmailed love letters to Sarah Barthel
Listen to the entire EP below:

March 08, 2010

I Hate Your Weekly Playlist (v.6)

jj - My Love
Bella - Ocean Or a Lakeshore
Broken Bells - Vaporize
Portugal The Man - All My People
The Dead Weather - So Far From Your Weapon
Does It Offend You, Yeah? - Epic Last Song
Sunset Rubdown - Silver Moons
Delphic - Counterpoint
El Ten Eleven - Lorge
Office - The Silent Parade
Idiot Pilot - Red Museum
Groove Armada - Paper Romance

March 05, 2010

Phantogram and Love Grenades LIVE at Bordello – 3/4/10


Love Grenades was surprisingly good live, even though I was not a fan of the stuff I heard online.  They transitioned almost all of their songs together, which wasn’t too difficult since they are all pretty much the same tempo and sound alike.  Basically, if Bat For Lashes sold out and made 1970s dance music, put on spandex and did aerobics to her own music on stage, you would have Love Grenades.  In a nutshell, they were fun.

Speaking of LOVE…here’s a letter being mailed today:

Dear Sarah Barthel (lead singer of Phantogram),

Hi, I’m sure you remember me.  I’m sure you remember when we locked eyes for all of 1 second, and yet it seemed like an eternity spent in our own utopian land together.  No, not like Avatar – I hated that movie, too.  Remember when the world stopped moving and there was nobody at Bordello except you on your keyboard and mess of wires doing your trademark shoulder shrug and head shake dance, and me in the front with a cardigan and fingerless gloves even though the heat in the room was unbearable.  (No, I didn’t burn my hands; my pants were too tight to put the gloves in my pockets).  Thankfully the girl next to me brought her Chinese fan or else I might have passed out.  No, we’re not dating.  I came with my friend Matt.  Oh, ya, remember Matt, the kid who just hours before your show reviewed your record and gave it a C.  I hate him too.  He was obviously taking the same drugs as the kid at the show who kept trying to dance with you on stage, trip over your Mac computer, and hug everyone around him.  But I have to admit, your record is just ok, but your live show was INCREDIBLE. Don’t be threatened when you see me in the front row at the rest of your shows.  You’re in love with me too; you’re just afraid to tell your guitar player - are you or are you not dating - friend since junior high, Josh Carter.  

I miss you already. Call me?

Love always and for- …until I find some other hot, indie-darling to sing to me,

Nate

Video from the show last night, (Matt makes a great cameraman):

March 04, 2010

Phantogram: Eyelid Movies



Nate has returned a permission slip signed by his parents, which means the “i hate kids like you” class field trip to see Phantogram tonight at the Bordello is on.  In advance of the show, I thought I would drop our loyal readers a little review of Eyelid Movies, an album in which every song is distinct…in the worst way possible. I’ll explain below.

Phantogram (Anagram Hologram Parallelogram) is the Upstate NY duo of Sarah Barthel and Josh Carter, who, by all appearances, have raided Matt & Kim’s closets for their skimpiest wife beaters and tried to fashion an album inspired by Tropic Thunder’s parodic character Simple Jack.  Oh, that’s “head movies,” huh? I get my head movies and my eyelid movies confused. 

Either way, Eyelid Movies still comes off as a tale told by an idiot. That is to say, with its lack of continuity and the staggering quality differential between its good and bad songs, it makes you wonder how this album was even put together. Barthel’s bittersweet vocals are the driving force herein and when it recedes into the background, the album suffers.  The formula of having tag team, male-female vocalists works for bands like Stars and Headlights, but it doesn’t work here. My suggestion: buy the outstanding, Barthel-led tracks, “As Far As I Can See,” “When I’m Small,” and “Mouthful of Diamonds,” skip the rest. And to the tune of Enrique Iglesias’s famous hit, start chanting “Barthel Mas.”

Grade: C

Best Tracks: “As Far As I Can See,” “When I’m Small,” and “Mouthful of Diamonds,”

Love Child of: Matt and Kim’s wife beaters, Little Dragon, Simple Jack-a-gram’s Head Movies, “A tale told by an idiot, full of sound a fury, signifying nothing” (that’s Shakespeare!) Hallucinogens, the Incriminating photos that caused Sarah Barthel to agree to let Josh Carter sing.

Best Listened To While: Dodging cars (Take a listen to Barthel’s “whoa” on When I’m Small below)

- Matt

I hate kids like you collective rating: 2.5 out of 5 depictions of Simple Jack enjoying his head movies

Check out a video of "When I'm Small":

March 03, 2010

Spotlight On John Heart Jackie


Today, I'm going to spotlight a couple friends of mine from Portland, OR who together make up the folk duo John Heart Jackie.  No, their names are not John and Jackie, but Peter Murray and Jenny Wayne create delicate folk music that will resonate with you whether you're waking up next to someone or not.  Although their music is mellow and relaxing, it is anything but boring.  Two artists in their own right, they find the perfect balance between each other's talent and vocal harmonies - Peter's gritty and Jenny's gentile.  It is honest music with simple instrumentation that manages to fill a lot of space.  Their EP "Women & Money" has been on steady rotation in my iTunes playlist, and they are currently working on a full length record, so stay tuned for more from them this year.

Check out their myspace page (www.myspace.com/johnheartjackie) and listen to my favorite songs, "Get Back To Me" and "Women & Money."

Love Child Of: Rainy days, thinking about the relationship you are currently in or mourning the one that just ended, scarves, flannel shirts, wood stoves and italian coffee served in an oversized mug.

Best Paired With: Doing anything inside, because the weather outside is frightful

- Nate

Check out a grainy, terrible quality youtube clip of them playing a few songs live...it's folk music, it should be viewed in no other way.  Fuck HD. (be sure to check out their website for a better listen)

March 02, 2010

Dirty Projectors w/ Alarm Will Sound and the LA Phil @ the Walt Disney Hall


If you're an indie rock band and the LA Phil deigns to open for you, you're doing something right. Such was the royal treatment bestowed Saturday night upon Dirty Projectors, who floated onto the majestic Disney stage cloaked in cape-like frocks that could have been designed by Little Miss Riding Hood for Free City. Performing Dave Longstreth's, 2005 opus, The Getty Address, Projectors and their myriad vocalists bellowed effortless, pitch perfect notes over prominent, rumbling drums and other orchestral flourishes.

Some highlights:

- John Orfe, virtuoso pianist from the LA Phil, opening the night with a Ligeti composition so transcendant, it touched places you couldn't reach without a lobotomy. In the words of the future Mrs. Longstreth, "That brought back a dream I thought I had lost forever..." Touché.

- A 30 minute intermission seems generous until you and your 2,200 closest friends descend at once upon a bar the size of an NY apartment's kitchenette. This led to some to serious champagne bonging (I hear they do this at the Ivys) and frantic scrambling back to our seats sans bathroom run. So when you see my foot tapping, pretend it's the music or the old restless leg, I swear I don't have to pee like a racehorse.

- Following the Getty Address, Projectors followed with Dylan's "I Dreamed I Saw St. Augustine and a flawless version of "Temecula Sunrise" from Bitte Orca. If this is any indication of what DP has in store for us at Coachella, their set might be worth the price of admission alone.

- Lastly, for comparison’s sake, I saw Memory Tapes Friday night at Spaceland. They played for 25 minutes without an encore. New rule, if you don't have enough material for at least a 40-minute set, you cannot headline anywhere, even at a shitden like Spaceland.

-Matt

Below is Projectors performing the aformentioned "Temecula Sunrise" live in Williamsburg (not quite up to par with Saturday night, but we'll take it).

March 01, 2010

I Hate Your Weekly Playlist

The Helio Sequence - Hallelujah
Tanlines - Real Life (Memory Tapes Remix)
The Lonely Forest - We Sing In Time
Crocodile - August Is Over
CocoRosie - God Has a Voice, She Speaks Through Me
Electric President - Feathers
Loch Lomond - Field Music
Analog Rebellion - In The Style of a Tight Rope Walker
Point Juncture, WA - Sick on Sugar
Efterklang - Modern Drift
Swan Lake - All Fires
Bell - Brown Bear